Barbara Burford

Burford, Barbara 2017

Barbara Burford was born on December 9, 1944 (to February 20, 2010). She was a medical scientist, a writer of poetry, fiction, and plays, and a lifelong diversity activist whose efforts helped to transform health services and inspired hundreds of health professionals and managers in the United Kingdom.

Barbara Yvonne Veronica Burford was born in Jamaica, where she was raised by her grandmother until she was seven. As a child of multi-racial identity, she moved with her family to London in 1955, where she was educated at Dalston County grammar school, and went on to study medicine at London University.

Burford joined the National Health Service (NHS) in 1964, specializing in electron microscopy in postgraduate teaching hospitals, before leading a team at the Institute of Child Health and Great Ormond Street Hospital for Children. She ran the pulmonary vascular laboratory there for several years during the 1980s. Her team was central to several breakthroughs in heart and lung transplant surgery for infants and children.

During her years in London, Burford was active in feminist politics, and wrote plays, poetry, short stories, and a novella. Her play, “Patterns,” was commissioned by Changing Women’s Theatre, and performed in 1984 at the Drill Hall Theatre. Burford’s poetry has been published in “A Dangerous Knowing: Four Black Women Poets,” and she edited “Dancing the Tightrope: New Love Poems by Women” in 1987.

In 1986, Burford published the acclaimed “The Threshing Floor,” a collection of lesbian short stories including the title novella, which is still a regular recommendation on school and Further Education reading lists in the UK and United States. Her writing was informed not only by her lesbian identity, but by her complex cultural identity “as a descendant of three different diasporas: African, Jewish and Scots.”

Barbara Burford moved to the City of Leeds in 1990 to set up information technology systems for the National Health Service executive. One of her key achievements was Positively Diverse, a program of guidelines designed to help achieve equality in the NHS. The accompanying field book is still being used by organizations across the country.

As director of equality and diversity at the Department of Health from 1999, Burford began a number of initiatives that are now well established, such as Jobshop, an in-house employment agency that was adopted and used by many National Health Service trusts. She was also a key player in setting up Bradford’s healthcare apprenticeship scheme, developed with Bradford University, which changed the demographics of the city’s health sector workforce. In 2005, the university appointed Burford the deputy director of its Centre for Inclusion and Diversity, shortly before her retirement.

Barbara Burford established a consultancy to carry on her mentoring and coaching work. She produced important equality guides for the Department of Health on disability, gender, and religion, and helped to develop the equality and diversity strategy for National Health Service North West.

As the director of diversity at the Department for Work and Pensions (DWP) from 2002 until 2005, Burford led the development of equality programs, setting up a structure for the agenda from executive-level steering groups to staff network groups. She also devised a series of projects to improve services, such as Race to Improve, which consulted older people from ethnic minorities, and resulted in a suite of touch-screen information points in community settings in a variety of languages.

Barbara Burford was a pioneer in learning and social change throughout a long and varied career with the NHS, in civil service, and as a consultant to various public sector organizations, equality commissions, government departments, and minority groups. She raised the profile of equality and diversity within the organizations in which she served. Burford was a professional who evoked confidence and compassion in everything she did.

Burford was open about being a lesbian, although it was not widely known outside her circle of close friends and family. She was unfailingly generous, courageous, humorous, and dedicated to the work she loved.

Burford was presented with an honorary doctorate in 2001 from Middlesex University in North London, in recognition of her national achievements in the equality and diversity field.

Barbara Burford died of respiratory failure at age 65. She is survived by her beloved civil partner, Joy Howard, and her daughter, Sarah.

We remember Barbara Burford in appreciation for her impactful commitment to diversity and inclusion, for her poetry and plays, and for her many contributions to our community.

Nona Hendryx

Hendryx, Nona 2017 by Marc Baptiste
Photo: Marc Baptiste

Nona Hendryx was born on October 9, 1944. She is a celebrated American vocalist, record producer, songwriter, musician, children’s book author, and actress. Hendryx is best known as part of the hit trio Labelle. Her music has ranged from soul, funk, dance, and R&B to hard rock, art rock, gospel and world music.

Nona Hendryx was born in Trenton, New Jersey; her heritage is West African on her mother’s side, Ethiopian and Native American on her father’s, “and some Scottish.” She met fellow New Jersey native Sarah Dash, and later connected with Philadelphia-born singer Patricia Holte (Patti LaBelle). During the girl group era of the early 1960s, the trio began as a quartet doo-wop group, Patti LaBelle and the Bluebelles, and included LaBelle, Hendryx, Dash, and Cindy Birdsong, who joined the group to become the fourth member when they signed their first deal with Newtown Records.

Patti LaBelle and the Bluebelles released their debut hit, “I Sold My Heart to the Junkman” in 1962. The group became known for their emotional live performances, and their renditions of classic standards such as “You’ll Never Walk Alone,” “Over the Rainbow,” and “Danny Boy.” They often found themselves competing against other girl groups such as The Chantels, The Shirelles, and The Supremes. In 1967, Hendryx, LaBelle, and Dash were surprised to learn that Birdsong had secretly joined the Supremes after Florence Ballard was ousted from the group by Motown. Different members of the group were in touch with Birdsong over the years, and the relationships with the remaining Bluebelles healed in time for the group receiving an R&B Foundation Lifetime Achievement Award in 1999.

From 1967 through 1970, the group struggled to compete against the changing musical landscape. In 1971, they moved to England, where they had a cult fan base, and changed their name to Labelle. Releasing albums including “LaBelle” (1971) and “Moon Shadow” (1972), the group recorded an edgier sound with political and sexual overtones—quite uncommon for an all-woman Black group. Shortly after releasing “Labelle,” they became the opening act for the band The Who, and opened and sang backup for Laura Nyro.

Following the release of “Moon Shadow,” Hendryx became the chief songwriter for most of the group’s records. After successfully opening for The Rolling Stones during the band’s American tour in 1973, Labelle released “Pressure Cookin’,” and Hendryx wrote powerful ballads and a wealth of more uptempo songs. Her themes were unconventional, diverse, and often experimental. Her composition, “A Man in a Trenchcoat (Voodoo)” also marked Hendryx’s first time singing lead vocal on an album. In 1974, the group hit gold with the release of “Nightbirds” following their smash hit, “Lady Marmalade,” about a New Orleans prostitute.

LaBelle disbanded in 1976, with Patti LaBelle attributing the band’s breakup to musical and personal tensions within the group. Labelle, Dash, and Hendryx all embarked on solo careers. Hendryx fans would welcome the split, as she embarked upon an impressive solo career, spanning eight albums, several top ten hits, and a Grammy nomination. Her albums remained edgy, provocative, and full of double entendres, with hits including “Bustin’ Out” and “Why Should I Cry?”

In 1977, Hendryx released her first solo album containing the tracks “Winning” (later recorded by Santana) and the ballad “Leaving Here Today.” It failed to sell as well as had been hoped, and Hendryx was dropped from Epic Records. Subsequently, she recorded four singles for Arista (London), which also escaped chart success. She did find success doing session work during this period, most notably providing background vocals for Talking Heads, and appearing first at the major Heatwave festival in August of 1980. She contributed to the song “Checkmate” on Dusty Springfield’s album, “It Begins Again,” in 1978.

In the early 1980s, Hendryx fronted her own progressive art-rock group, Zero Cool, and recorded with the experimental funk group, “Material,” achieving a giant club hit with “Busting Out.” She had two other major club hits soon after: a dance remake of The Supremes’ “Love Is Like An Itching In My Heart,” and, “Do What You Wanna Do” by The Cage. The group Material also produced her second album, “Nona,” in 1983. The single “Keep It Confidential” and a remix of “B-boys” hit the dance charts. “Transformation” became a Hendryx staple, and another particularly noteworthy track is the ballad “Design For Living,” featuring Laurie Anderson, Gina Shock, Valerie Simpson, Tina Weymouth, Nancy Wilson of Heart, and former bandmate Patti LaBelle.

In the mid-1980s, Hendryx was recruited by RCA to record songs for various soundtracks, including the theme for “Moving Violations.” “I Sweat (Going Through the Motions)” was a hit for Hendryx from the Jamie Lee Curtis film, “Perfect,” as was “Transparent” from the Eddie Murphy film, “Coming To America.” Her album, “The Art Of Defense,” was released in 1984.

In 1985, Hendryx wrote and recorded the Grammy-nominated “Rock This House” with Keith Richards, from her album “The Heat.” That same year, the MTV broadcast of the video “I Need Love” stirred some controversy for featuring drag queens. As a result, it was quickly removed from MTV’s playlist. In the same year, Hendryx took part in the Artists United Against Apartheid project with the song “Sun City,” recorded with other artists such as Bruce Springsteen, Little Steven, Bono, Eddie Kendricks, Hall & Oates, Bobby Womack, Lou Reed, and many others.

Hendryx’s biggest commercial success came with 1987’s single, “Why Should I Cry?” a top 5 R&B hit which also reached #58 on the Billboard 100. The accompanying album, “Female Trouble,” featured Peter Gabriel, Prince, George Clinton, David Van Tieghem, and Mavis Staples. Around this time, Hendryx became a member of the Black Rock Coalition, founded by Vernon Reid of Living Colour. Other artists with whom she has recorded with over the years include: David Johansen, Yoko Ono, Cameo, Talking Heads, Garland Jeffreys, Dan Hartman, Afrika Bambaata, Boy George, Rough Trade, Curtis Hairston, and Graham Parker.

Since the breakup of Labelle, Patti, Sarah, and Nona have reunited on occasion, including Patti LaBelle’s “Live In New York” video, the dance hit “Turn It Out” from the soundtrack of “To Wong Foo, Thanks for Everything! Julie Newmar,” and two television specials. In January 2006, Labelle again reunited to record “Dear Rosa,” a tribute to civil rights leader Rosa Parks. Labelle also performed the theme song for the soundtrack for the film “Preaching to the Choir,” with Hendryx being the composer of the film’s soundtrack. In late 2008, Labelle released their comeback album, “Back to Now,” and went on a successful concert tour that carried through the spring of 2009.

Hendryx has also dabbled in acting, and even authored a children’s book, “The Brownies.” She was one of the first artists to agree to perform at the first New York City Gay Men’s Health Crisis (GMHC) Dance-a-thon, created to raise funds to support people living with HIV/AIDS. This led other artists to give their time and talent to the organization, eventually raising millions of dollars.

In 2001, Hendryx discussed her bisexuality in an interview with “The Advocate,” and has become an outspoken gay rights activist over the years. In the summer of 2008, she joined Cyndi Lauper on her “True Colors” tour, raising awareness of discrimination and support for the LGBTQ community. In 2017, the Philadelphia Music Walk of Fame added Patti LaBelle, Sarah Dash, and Nona Hendryx.

Hendryx continues to perform, and remains a longtime resident of the Upper West Side of Manhattan.

We thank Nona Hendryx for sharing her remarkable journey through music, entertainment, and social activism with the world, and for her many contributions to our community.